![]() The final delivery was 4K so the Production Master and all of the tests for the client were delivered in 4K. Software required: mocha and After Effects (Project Files created in mocha v2 and After Effects CS4). Person should know all the basics software like - Adobe Photoshop, Aftereffects, Mocha, Premiere pro, silhouette & Nuke. In this series of lessons we will learn how to use the mocha for After Effects application to track objects and use that tracking data inside After Effects. Work Experience: 2-3 years from animation production studio or teaching experience from reputed VFX/Animation institute. When rendering the Guide adjustment layer with the color correction applied was ignored and the client ended up with a VFX shot that exactly matched the camera original so no monkeying around with my 126 frames was required to make the FX match the rest of the footage in the scene. Getting Started with mocha for After Effects. Q: What is the difference between the new Mocha Pro 2019 and the Mocha AE CC that ships with Creative. Select a layer and go to: Animation > track in Mocha. Mocha AE CC has recently been updated in After Effects 2019. ![]() ![]() I put an adjustment layer as a guide layer with the basic LUT for the movie on the top layer so I could tell what the composite would look like because it's impossible for me to accurately judge anything if I'm looking at log footage, did all my compositing work, rendered the comp to the client's Open EXR sequence specifications. A: Mocha AE is the bundled planar tracking and masking plug-in that has been licensed to Adobe since 2008, starting with CS4. My comps were created from the EXR sequence so everything matched. Just finished a compositing job where the camera original was Log 6K sent to me as an EXR sequence. ![]() I always try and work at the native resolution of the project. Pre-compose the layer before you run the tracker in Mocha or Do everything in a larger comp and scale it down later.
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